“The ’60s were a time of great change in American music.”
“I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, ‘Will this sit well under dialogue?’ ‘Can people die to this?’ ‘Can people kiss to this?’”
“You know, I’m part of that first MTV generation.”
“I was crazy for music as a high school kid and a college kid.”
“I think that ‘The Sopranos’ uses music incredibly well.”
“As a music supervisor, you learn to embrace the best of every genre, and I really have to say there’s nothing that I’m embarrassed of.”
“I think it’s important to remember that music supervision is not just about a fantastic record collection or knowledge of music, although that certainly helps for aspiring music supervisors.”
“In the old days, a TV sync was perceived as not so cool or whittling away at your indie cred. Now it’s seen as much more of an opportunity than a sellout, as a way to find fans who wouldn’t have ordinarily come across their genre of music.”
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