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Top 10 Tim Bevan Quotes in 2020

By: Quotes Guru | Last Updated: June 19, 2020

“I’m never going to go and test myself on Everest, but I sort of understand the psychology of people who might want to.”

― Tim Bevan

“The effects that interest me are not the guy flying through the sky, but creating reality – reality that you otherwise can’t go and shoot.”

― Tim Bevan

“From the first time I read John Krakauer’s book ‘Into Thin Air’ in the early 2000s, I always thought this great adventure story would make a really good film. It has all the ingredients – a great location, disaster, interesting characters, and all forms of human emotion.”

― Tim Bevan

“I believe you make a movie three times: once in the development process – putting the ingredients like the script, cast and crew together – once in the shooting process, and once in the editing process.”

― Tim Bevan

“All too often on film sets, what happens is everybody gets worried about an actor being sick, a car not turning up, or the weather not being right rather than what we’re ending up with onscreen.”

― Tim Bevan

“Premium, non-network television is occupying a space that art cinema used to enjoy. ‘Homeland,’ ‘Breaking Bad’ – 15 to 20 years ago, they would have been independent cinema stories.”

― Tim Bevan

“The frustration of a movie is that you are creating a new business every time you go off to make one, and in a funny way, that’s what’s exciting.”

― Tim Bevan

“The producer needs to be a fool – a determined fool! You have to be incredibly tenacious because there are a lot of ‘nos’ out there; the whole thing is a bit like herding cats. You have to keep at it and keep at it, and one day you get there, to the movie.”

― Tim Bevan

“Really bad reviews can hurt pretty much any movie. They say that some films are review-proof, but I think that’s probably big high-concept movies, comedies, and so on. But, on the whole, if a film gets dreadful reviews, it will affect its business.”

― Tim Bevan

“I always think British films work best when they’re very honest to a particular part of England. ‘Four Weddings and a Funeral’ was true to middle-class people, ‘Bend it Like Beckham’ was faithful to the Indian community, and ‘Billy Elliot’ was faithful to the miners.”

― Tim Bevan

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